he
day that will end for Sarah with a blackout and a shattered
jaw, begins with a storm coming in from the ocean. By late
afternoon the sky is leaden, the light strange and metallic.
On Interstate 5, she spots the motel sign at the last moment
and crosses three lanes of traffic to hit the off-ramp at
over fifty. Tires squeal behind her, a horn blares.
"Sorry," she murmurs. A car is right on her tail.
The driver is a shadow through tinted windows. The sleek black
Lincoln is not a car you'd want to ding.
An hour later, full of soft trembling and damp with the sweat
she had no time to shower away, she is back on the freeway,
humming to the stereo. Her body aches pleasantly: a deep fullness
as if he is still inside her, her breasts bruised like fingered
fruit, a trickle of semen on her thigh.
The rain has started up again and a truck slows, spewing
an arc of water in its wake. Sarah slams on the brakes, glancing
in her mirror. It is then she sees the black Lincoln again,
right behind her. She frowns, changes lanes, her hands tight
on the wheel. He is still behind her ten minutes later. She
is about fifteen miles from home.
For the next few miles she watches him. He follows exactly
one car length behind, holding her speed, changing lanes as
she does.
Sarah fumbles for her cellular. As the phone at her house
clicks onto the answering machine she hears her husband's
recorded voice request a message.
"Car behind me," Sarah shouts over the rain. "Can't
see license number, black, looks like.." A truck flashes
signal lights and for a second the number plate is illuminated.
"Looks like DH, " cries Sarah. "Shit, missed
the rest. DH, might have been a five. Can't see driver. Just
in case. Bit spooky. Doesn't look like a mugger, but you never
know. If he follows me off the exit I'll call 911. See you
soon."
As if the sight of the cellular phone has acted as a warning,
the car drops back, changes lanes and disappears from her
mirror.
When she pulls into the driveway Jake is standing in the
doorway silhouetted against the light.
"What the fuck was that about? I was going to call the
police."
"Sorry, sorry. Probably nothing. This damn car was on
my tail all the way home."
"He still behind you?" he moves onto the path,
looks up and down the street
"No, he dropped back just after I called."
"Shit, I was worried out of my skin."
"Sorry," she says. "Probably overreacted."
"Well, that makes a change," he says. She turns
away.
"I'm going to shower," Sarah says. "I'm cold."
Jake comes into the bedroom a little while later, hands her
a glass of wine.
"You okay?"
"Fine."
"You sure he was following you?"
"Not really. It just seemed, well, weird. You read
about these follow home robberies. Just me being stupid, probably.
You know."
"Yes. I know." She looks up at this, but his expression
is calm, bland.
"I put the lasagna in the oven," he says.
"Thanks."
"You didn't see the number plate then?" he asks.
"The number plate?"
"On the Lincoln?"
"Not really. Just DH. Why?" She realizes he might
be nervous too. "You think we should report it?"
"No. No."
She towels her hair as he returns to the kitchen. There is
the clanging of plates, and one parallels a sudden clanging
of her heartbeat. She sits rigid on the bed, replaying their
conversation, then edges slowly into the den. Jake in the
kitchen, sips a scotch, his back to her. Sarah lifts the phone,
presses the message button.
Her own voice, over the sound of rain and traffic: "
Car behind me
. Can't see license number, black, looks
like a
Looks like DH. Shit, missed the rest. DH might
have been a five
"
She looks up. Jake leans against the door, watching her.
His eyes, meeting hers, are bleak.
"I didn't say Lincoln," she says.
"No."
"You had somebody follow me?"
His face is shadowed, but his hands clench as he moves forward.
The fear rises from some dark space inside her, her head feels
full of rushing sounds, of hot roiling rivers. She reaches
behind, searching for something, anything, to use as a weapon.
But the empty glass is no match for the clenched fist that
rises and moves towards her. That will, in just moments, shatter
her jaw.
[END]
© Mary McCluskey 2002